Karen Grace Lin

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<channel>
	<title>Karen Grace Lin</title>
	<link>https://klin.cargo.site</link>
	<description>Karen Grace Lin</description>
	<pubDate>Wed, 10 Jan 2024 00:12:55 +0000</pubDate>
	<generator>https://klin.cargo.site</generator>
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	<item>
		<title>Distributed Ray Tracer</title>
				
		<link>https://klin.cargo.site/Distributed-Ray-Tracer</link>

		<pubDate>Wed, 10 Jan 2024 00:12:55 +0000</pubDate>

		<dc:creator>Karen Grace Lin</dc:creator>

		<guid isPermaLink="true">https://klin.cargo.site/Distributed-Ray-Tracer</guid>

		<description>


	DISTRIBUTED RAY TRACER
	11/23 – 12/23


	OVERVIEW
	I built a distributed ray tracer using C++ and created a 10-second animation.
The animation includes diffuse and Phong shading, soft shadows, and texture mapping. I implemented a simple BVH (bounding value hierarchy) structure to accelerate ray intersection, supersampling for anti-aliasing, and an object oriented approach to organize my code.&#38;nbsp;
Final project for CPSC 478 at Yale, Introduction to Computer Graphics


PART I
	I began this project by pulling a figure from the CMU Motion Capture Database and a provided stick figure class. I chose a figure that was pretending to be a dinosaur and reoriented my camera to face the stick figure.

&#60;img width="1260" height="924" width_o="1260" height_o="924" data-src="https://freight.cargo.site/t/original/i/fa4d85a145d3c2e14f363f198b4c248eebfb51399abb0fdaab975ce1530860a0/Screenshot-2024-01-09-at-4.46.18-PM.png" data-mid="201267889" border="0"  src="https://freight.cargo.site/w/1000/i/fa4d85a145d3c2e14f363f198b4c248eebfb51399abb0fdaab975ce1530860a0/Screenshot-2024-01-09-at-4.46.18-PM.png" /&#62;
Motion capture stick figure, rendered in multiple spheres


	PART II
	I then placed the stick figure on a ground and added surrounding objects. The stick figure’s body was then changed from a series of spheres to consisting of cylinders with rounded ends. It was at this stage that I reorganized my code to be object oriented, which then allowed me to build out a more complex scene and tinker with ray-cylinder intersection.
&#60;img width="1262" height="944" width_o="1262" height_o="944" data-src="https://freight.cargo.site/t/original/i/a1746bd677fc8a10a75c034e6164dc905b162cf66cc8a0c42c25a74a9aa9b9bb/Screenshot-2024-01-09-at-4.46.31-PM.png" data-mid="201267896" border="0"  src="https://freight.cargo.site/w/1000/i/a1746bd677fc8a10a75c034e6164dc905b162cf66cc8a0c42c25a74a9aa9b9bb/Screenshot-2024-01-09-at-4.46.31-PM.png" /&#62;
Stick figure rendered in cylinders, standing on a ground and surrounded by castle-like scene


PART III
	While implementing more complex and time intensive effects, I had to strike a balance between the scene I wanted to depict and the cost of rendering time. While I implemented Perlin noise, Oren-Nayer reflectance, and Cook-Torrance reflectance on parts of my scene, I realized that my scene would work best with texture mapping and soft shadows. I included Phong shading and an area light to mimic a sunset. While I considered keeping Cook-Torrance reflectance on the castle gate bars to add a more metallic effect, I decided to leave it out to reduce my render time.
The most challenging part of this project was implementing BVH. It required me to refactor a lot of code (which also solved a few bugs) and think critically about the structure of a BVH.
&#60;img width="628" height="464" width_o="628" height_o="464" data-src="https://freight.cargo.site/t/original/i/da08a329bd78af4638c1577883e560032717fdab3923cef6118670710e609580/Screenshot-2023-12-16-at-12.47.22-PM.png" data-mid="201269059" border="0"  src="https://freight.cargo.site/w/628/i/da08a329bd78af4638c1577883e560032717fdab3923cef6118670710e609580/Screenshot-2023-12-16-at-12.47.22-PM.png" /&#62;
Screen capture from one of 300 final frames of the animation.&#38;nbsp;


	REFLECTION
	I would do this project all over again in a heartbeat! But I would do a few things differently. I would first plan out my scene a little better from a creative standpoint to avoid having to implement many effects that I ended up not using. I would also test my BVH structure earlier and further develop into a subdivision that utilizes surface area heuristic. Lastly, I would render my video in a higher quality.This was one of my favorite projects and I look forward to making more interesting animations with my newfound tools and knowledge.
 
&#60;img width="394" height="296" width_o="394" height_o="296" data-src="https://freight.cargo.site/t/original/i/0a56868cbbb629006517b968a13808bf68c369237fedd1a4d3e9e339c4d2d4d9/Dragon2520in2520Training2520Final.gif" data-mid="201271484" border="0"  src="https://freight.cargo.site/w/394/i/0a56868cbbb629006517b968a13808bf68c369237fedd1a4d3e9e339c4d2d4d9/Dragon2520in2520Training2520Final.gif" /&#62;

GIF of the 10-second animation


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		<title>Intro GD</title>
				
		<link>https://klin.cargo.site/Intro-GD</link>

		<pubDate>Sun, 17 Sep 2023 19:22:12 +0000</pubDate>

		<dc:creator>Karen Grace Lin</dc:creator>

		<guid isPermaLink="true">https://klin.cargo.site/Intro-GD</guid>

		<description>
&#60;img width="792" height="1224" width_o="792" height_o="1224" data-src="https://freight.cargo.site/t/original/i/081623e693061b6122df182e230ffb1fae548530bfa86cef5335f0cf4adfc0f8/Helvetica_02.jpeg" data-mid="191032449" border="0" data-scale="70" alt="Poster for the film &#38;quot;Helvetica'" data-caption="Poster for the film &#38;quot;Helvetica'" src="https://freight.cargo.site/w/792/i/081623e693061b6122df182e230ffb1fae548530bfa86cef5335f0cf4adfc0f8/Helvetica_02.jpeg" /&#62;


&#60;img width="612" height="792" width_o="612" height_o="792" data-src="https://freight.cargo.site/t/original/i/998f9c0902026c6f78f838f053400355423404544982c3e0f191ac0e29c108e7/Helvetica_03.jpeg" data-mid="191032451" border="0" alt="Poster for the film &#38;quot;Helvetica&#38;quot;" data-caption="Poster for the film &#38;quot;Helvetica&#38;quot;" src="https://freight.cargo.site/w/612/i/998f9c0902026c6f78f838f053400355423404544982c3e0f191ac0e29c108e7/Helvetica_03.jpeg" /&#62;


&#60;img width="792" height="1224" width_o="792" height_o="1224" data-src="https://freight.cargo.site/t/original/i/3d440cdacecfcadccfb9083f8d6814f1a4a5b39a4d89f275bf58bee6f0798406/Client_Final_Small.jpg" data-mid="191034086" border="0" alt="Client poster for classmate attending &#38;quot;The Ultimate Training Camp,&#38;quot; a faith-driven sports camp for college student athletes" data-caption="Client poster for classmate attending &#38;quot;The Ultimate Training Camp,&#38;quot; a faith-driven sports camp for college student athletes" src="https://freight.cargo.site/w/792/i/3d440cdacecfcadccfb9083f8d6814f1a4a5b39a4d89f275bf58bee6f0798406/Client_Final_Small.jpg" /&#62;


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		<title>Postcards</title>
				
		<link>https://klin.cargo.site/Postcards</link>

		<pubDate>Mon, 28 Aug 2023 21:04:34 +0000</pubDate>

		<dc:creator>Karen Grace Lin</dc:creator>

		<guid isPermaLink="true">https://klin.cargo.site/Postcards</guid>

		<description>
&#60;img width="2125" height="3000" width_o="2125" height_o="3000" data-src="https://freight.cargo.site/t/original/i/124eba64320fc74f81996648e93fe1847bafc5027f8a6c07d69e9fe73cdd5989/day_postcard_01.jpg" data-mid="189121027" border="0" alt="Dolomites, Italy" data-caption="Dolomites, Italy" src="https://freight.cargo.site/w/1000/i/124eba64320fc74f81996648e93fe1847bafc5027f8a6c07d69e9fe73cdd5989/day_postcard_01.jpg" /&#62;


&#60;img width="2125" height="3000" width_o="2125" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fec93ab303dab46d469595857049461dbd9ab35debe572e6df061837716bb4d9/day_postcard_02.jpg" data-mid="189121028" border="0" data-scale="63" alt="Kaui, Hawaii" data-caption="Kaui, Hawaii" src="https://freight.cargo.site/w/1000/i/fec93ab303dab46d469595857049461dbd9ab35debe572e6df061837716bb4d9/day_postcard_02.jpg" /&#62;

&#60;img width="3000" height="2125" width_o="3000" height_o="2125" data-src="https://freight.cargo.site/t/original/i/72773abf32718b87001f5058690a63ce37806ec08a17d643b9878702e2da17d9/day_postcard_03.jpg" data-mid="189121029" border="0" alt="Lido, Venice" data-caption="Lido, Venice" src="https://freight.cargo.site/w/1000/i/72773abf32718b87001f5058690a63ce37806ec08a17d643b9878702e2da17d9/day_postcard_03.jpg" /&#62;

&#60;img width="3000" height="2125" width_o="3000" height_o="2125" data-src="https://freight.cargo.site/t/original/i/1bb89a17cf3ba3771bc071ec0d63013e54893add3c30071dc737e1e65dfd409f/day_postcard_05.jpg" data-mid="189121031" border="0" alt="Venice, Italy" data-caption="Venice, Italy" src="https://freight.cargo.site/w/1000/i/1bb89a17cf3ba3771bc071ec0d63013e54893add3c30071dc737e1e65dfd409f/day_postcard_05.jpg" /&#62;
&#60;img width="2125" height="3000" width_o="2125" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fdddcf3f51d79a16633792de3cb37b2091ad7f455463238e831625f16399d8e0/day_postcard_06.jpg" data-mid="189121032" border="0" data-scale="66" alt="Kauai, Hawaii" data-caption="Kauai, Hawaii" src="https://freight.cargo.site/w/1000/i/fdddcf3f51d79a16633792de3cb37b2091ad7f455463238e831625f16399d8e0/day_postcard_06.jpg" /&#62;


&#60;img width="3000" height="2125" width_o="3000" height_o="2125" data-src="https://freight.cargo.site/t/original/i/50301b7a6ab866f5fc065227c6ef8be023f533d7ba617fcda5c6c367c1915bea/day_postcard_04.jpg" data-mid="189121030" border="0" alt="Venice, Italy" data-caption="Venice, Italy" src="https://freight.cargo.site/w/1000/i/50301b7a6ab866f5fc065227c6ef8be023f533d7ba617fcda5c6c367c1915bea/day_postcard_04.jpg" /&#62;
&#60;img width="2125" height="3000" width_o="2125" height_o="3000" data-src="https://freight.cargo.site/t/original/i/04c006b3a589f83b6da4e403c52819fb3f101a1cb7680f373de9f22972b71281/day_postcard_07.jpg" data-mid="189121033" border="0" alt="Paris, France" data-caption="Paris, France" src="https://freight.cargo.site/w/1000/i/04c006b3a589f83b6da4e403c52819fb3f101a1cb7680f373de9f22972b71281/day_postcard_07.jpg" /&#62;

&#60;img width="3000" height="2125" width_o="3000" height_o="2125" data-src="https://freight.cargo.site/t/original/i/83b46f1ac85ced8913c76f7c42d234a036f237cf27d751d0ade326d24c03c58c/day_postcard_08.jpg" data-mid="189121034" border="0" alt="Venice, Italy" data-caption="Venice, Italy" src="https://freight.cargo.site/w/1000/i/83b46f1ac85ced8913c76f7c42d234a036f237cf27d751d0ade326d24c03c58c/day_postcard_08.jpg" /&#62;</description>
		
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	<item>
		<title>Fragile</title>
				
		<link>https://klin.cargo.site/Fragile</link>

		<pubDate>Mon, 28 Aug 2023 20:57:22 +0000</pubDate>

		<dc:creator>Karen Grace Lin</dc:creator>

		<guid isPermaLink="true">https://klin.cargo.site/Fragile</guid>

		<description>


	FRAGILE, HANDLE WITH CARE
	03/21 – 05/21


	OVERVIEW
	“Fragile, Handle With Care” is a synthesis project for “Art of the Printed Word,” a first year seminar course about printing and typography at Yale University.
In an attempt to find unexpected beauty, I interviewed five of my hometown friends on an item they continue to hold after its initial use. From a scrap of painted paper to a piece of kaleidescope glass, my friends recounted stories filled with nostalgia, hard work, and triumph over difficulty.

Through this project, I reconnected with friends after months of at-home isolation during the pandemic and learned about the items they kept purely for memories sake.


&#60;img width="265" height="370" width_o="265" height_o="370" data-src="https://freight.cargo.site/t/original/i/56b8af4eb4ef44d6eb0487f57fbc404078831e723ae26993211b187d478b293b/front.png" data-mid="189120578" border="0"  src="https://freight.cargo.site/w/265/i/56b8af4eb4ef44d6eb0487f57fbc404078831e723ae26993211b187d478b293b/front.png" /&#62;

&#60;img width="960" height="344" width_o="960" height_o="344" data-src="https://freight.cargo.site/t/original/i/07ed5ff5524055617865d700ec859772c975fbf880afddf03c77956ca1b16558/open.png" data-mid="189120586" border="0"  src="https://freight.cargo.site/w/960/i/07ed5ff5524055617865d700ec859772c975fbf880afddf03c77956ca1b16558/open.png" /&#62;

&#60;img width="960" height="404" width_o="960" height_o="404" data-src="https://freight.cargo.site/t/original/i/a4ba6b2550ed3f88d7de26f5f555190bc4ddabfa85cc7c193023f27c52f67864/open3.png" data-mid="189120602" border="0"  src="https://freight.cargo.site/w/960/i/a4ba6b2550ed3f88d7de26f5f555190bc4ddabfa85cc7c193023f27c52f67864/open3.png" /&#62;


&#60;img width="960" height="631" width_o="960" height_o="631" data-src="https://freight.cargo.site/t/original/i/17b5bc70c9299e281b782f27f004ff6ce0ab246817a64d945eaee1ba57d64ac1/story1.png" data-mid="189120605" border="0"  src="https://freight.cargo.site/w/960/i/17b5bc70c9299e281b782f27f004ff6ce0ab246817a64d945eaee1ba57d64ac1/story1.png" /&#62;

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&#60;img width="665" height="505" width_o="665" height_o="505" data-src="https://freight.cargo.site/t/original/i/a22064000cb3ab2a54a2f87c380fcbc87a4b7f25e7b85d339c2f68001bb5b8dd/story3.png" data-mid="189120607" border="0"  src="https://freight.cargo.site/w/665/i/a22064000cb3ab2a54a2f87c380fcbc87a4b7f25e7b85d339c2f68001bb5b8dd/story3.png" /&#62;
&#60;img width="478" height="635" width_o="478" height_o="635" data-src="https://freight.cargo.site/t/original/i/7d43ce064005d10a698d92fe2ee743b6e31e36125b6a83d14e860794573dc584/story2.png" data-mid="189120606" border="0"  src="https://freight.cargo.site/w/478/i/7d43ce064005d10a698d92fe2ee743b6e31e36125b6a83d14e860794573dc584/story2.png" /&#62;


&#60;img width="715" height="378" width_o="715" height_o="378" data-src="https://freight.cargo.site/t/original/i/ecab49c2e20cfb7930b39f807cb622560ecf28d005ff19e8f8acfa6ca6afcfef/open4.png" data-mid="189120603" border="0"  src="https://freight.cargo.site/w/715/i/ecab49c2e20cfb7930b39f807cb622560ecf28d005ff19e8f8acfa6ca6afcfef/open4.png" /&#62;

&#60;img width="262" height="368" width_o="262" height_o="368" data-src="https://freight.cargo.site/t/original/i/7d3a46814c2554c58ee041b62047c566e0b512b36042649ec644b886f94263f1/back.png" data-mid="189120582" border="0"  src="https://freight.cargo.site/w/262/i/7d3a46814c2554c58ee041b62047c566e0b512b36042649ec644b886f94263f1/back.png" /&#62;


MATERIALS
	Kimono silk, ink, watercolor.


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	<item>
		<title>Mithraeum </title>
				
		<link>https://klin.cargo.site/Mithraeum</link>

		<pubDate>Mon, 28 Aug 2023 20:42:41 +0000</pubDate>

		<dc:creator>Karen Grace Lin</dc:creator>

		<guid isPermaLink="true">https://klin.cargo.site/Mithraeum</guid>

		<description>


	MODELING AND ANNOTATING THE MITHRAEUM OF DURA EUROPOS
	03/22 – 05/22


	OVERVIEW
	“Modeling and Annotatting the Mithraeum of Dura Europos” is an educational tool and research database of the Dura Europos Mithraeum.
This six-person group project was created for the course “Introduction to Applications of Computer and Data Science for Digital Humanities” in Spring 2022. Our team consisted of humanities (art history, architecture, and history) graduate students and computer science undergraduate students. 
I was responsible for creating interactive photogrammetry (as seen in the “Models” section), setting up the website (using Github Pages, HTML, CSS, and Javascript; integrating data visualizations, our Unity model, and photogrammetry),&#38;nbsp; integrating data visualizations, and facilitating the technical and historical understanding of the project across our team (project management).


QUESTIONS
	Questions our team aimed to address include: 1. How are we contributing to the accessibility of Yale’s collection? 2. How can we break down and organize a large amount of data to make it readable and stimulating to viewers? 3. What does each visualization and piece of analysis we included bring to help visitors better understand this collection?

Questions running through my mind while implementing photogrammetry and the website:
1. How can I make the photogrammetry more interactive?&#38;nbsp;
2. How can I have each photogrammetry communicate with the analysis it is associated with?
3. Is each tab title accurate to its contents?
4. Due to our limited (2 week) implementation time frame, which technical elements of our project are essential, and what are nice to haves that we can refine if we have time?


	GUIDING PRINCIPLES
	Guiding principles while working with my team
1. How can I act as a bridge between art history students and computer science students?&#38;nbsp;
2. How can we generate a good team dynamic that limits the fear of asking questions?
3. How can we match the art history studetns’ visions for data visualization with the capabilities of our computer science students?
4. Does everyone have a balanced workload?


	WEBSITE
	Our deliverable website can be seen here.
</description>
		
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	<item>
		<title>There, but not there</title>
				
		<link>https://klin.cargo.site/There-but-not-there</link>

		<pubDate>Mon, 28 Aug 2023 20:22:27 +0000</pubDate>

		<dc:creator>Karen Grace Lin</dc:creator>

		<guid isPermaLink="true">https://klin.cargo.site/There-but-not-there</guid>

		<description>


	THERE, BUT NOT THERE
	03/23 – 05/23


&#60;img width="2592" height="2016" width_o="2592" height_o="2016" data-src="https://freight.cargo.site/t/original/i/813c07fe64399a4b53a558215cc60bc8b387f5593cb6ac2bb9d80df8b85fdc43/there-but-not-there.jpg" data-mid="189118454" border="0"  src="https://freight.cargo.site/w/1000/i/813c07fe64399a4b53a558215cc60bc8b387f5593cb6ac2bb9d80df8b85fdc43/there-but-not-there.jpg" /&#62;


	OVERVIEW
	There, but not there is my final project for Introduction to Graphic Design&#38;nbsp; with Yeju Choi. After collecting images of indirect beauties, from window reflections to oil stains on the sidewalk, I wanted to design a large-form poster that mimicked these photographs.
Videos of the poster in action can be found here, here, and here.


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f5c7be3d3a84366ac9fe7417fbb3f353328253bd3469ccf049f6867f55a38fb8/IMG_4832.JPG" data-mid="189118498" border="0"  src="https://freight.cargo.site/w/1000/i/f5c7be3d3a84366ac9fe7417fbb3f353328253bd3469ccf049f6867f55a38fb8/IMG_4832.JPG" /&#62;
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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5e24334738bbcf3f7e541dfcc02798ca561f6125bfc2e12eec2cd6d3e194c3ed/IMG_4835.jpg" data-mid="189118495" border="0"  src="https://freight.cargo.site/w/1000/i/5e24334738bbcf3f7e541dfcc02798ca561f6125bfc2e12eec2cd6d3e194c3ed/IMG_4835.jpg" /&#62;


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f5c7be3d3a84366ac9fe7417fbb3f353328253bd3469ccf049f6867f55a38fb8/IMG_4832.JPG" data-mid="189118498" border="0"  src="https://freight.cargo.site/w/1000/i/f5c7be3d3a84366ac9fe7417fbb3f353328253bd3469ccf049f6867f55a38fb8/IMG_4832.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/fc7c3acd3559433209c91d143a2e66e4cfada91063f3c23645e9d5f4296fe284/IMG_4833.JPG" data-mid="189118496" border="0"  src="https://freight.cargo.site/w/1000/i/fc7c3acd3559433209c91d143a2e66e4cfada91063f3c23645e9d5f4296fe284/IMG_4833.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a7c450a95f14e71e599071ecaa9ad81af76c74ed449c7fcd62f93199ab3c42ac/IMG_4840.JPG" data-mid="189118500" border="0"  src="https://freight.cargo.site/w/1000/i/a7c450a95f14e71e599071ecaa9ad81af76c74ed449c7fcd62f93199ab3c42ac/IMG_4840.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5e24334738bbcf3f7e541dfcc02798ca561f6125bfc2e12eec2cd6d3e194c3ed/IMG_4835.jpg" data-mid="189118495" border="0"  src="https://freight.cargo.site/w/1000/i/5e24334738bbcf3f7e541dfcc02798ca561f6125bfc2e12eec2cd6d3e194c3ed/IMG_4835.jpg" /&#62;
&#60;img width="2911" height="3883" width_o="2911" height_o="3883" data-src="https://freight.cargo.site/t/original/i/89674b2fa3d0fcd22b4645fd1345cf789231ea78cf650c6fda36a4435bde2700/IMG_4836.jpg" data-mid="189118499" border="0"  src="https://freight.cargo.site/w/1000/i/89674b2fa3d0fcd22b4645fd1345cf789231ea78cf650c6fda36a4435bde2700/IMG_4836.jpg" /&#62;

	&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/acab6b03d9ddd131a8200a6a1345ebdb1efef4db1d0f9f57c61a3b47ec3a2fa6/IMG_4842.jpg" data-mid="189118501" border="0"  src="https://freight.cargo.site/w/1000/i/acab6b03d9ddd131a8200a6a1345ebdb1efef4db1d0f9f57c61a3b47ec3a2fa6/IMG_4842.jpg" /&#62;
	&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/8ad0e9eda22307fe33718c601085936d8ea1015fc2338c05348839c951dca1f6/IMG_4844.JPG" data-mid="189118502" border="0"  src="https://freight.cargo.site/w/1000/i/8ad0e9eda22307fe33718c601085936d8ea1015fc2338c05348839c951dca1f6/IMG_4844.JPG" /&#62;


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/2ad4b1db25733b4600a3d2173ab3a238ecfd95ce46d7d1161fb1473bfbf5dde1/IMG_4845.JPG" data-mid="189118506" border="0"  src="https://freight.cargo.site/w/1000/i/2ad4b1db25733b4600a3d2173ab3a238ecfd95ce46d7d1161fb1473bfbf5dde1/IMG_4845.JPG" /&#62;


	&#38;nbsp; &#38;nbsp;  REFLECTIONS
	I found the exploration of different poster folds to be a success, but after group critiques, I realized that I did not push the use of text as fully as I could have. I also fixated on making these folded moments throughout the piece, and did not consider the overall aesthetic of the entire sheet if it was spread out. I continued reprinting the poster, adding text and adjusting images to try and address these critiques.


</description>
		
	</item>
		
		
	<item>
		<title>Breakfast Club</title>
				
		<link>https://klin.cargo.site/Breakfast-Club</link>

		<pubDate>Mon, 28 Aug 2023 18:15:20 +0000</pubDate>

		<dc:creator>Karen Grace Lin</dc:creator>

		<guid isPermaLink="true">https://klin.cargo.site/Breakfast-Club</guid>

		<description>


	BREAKFAST CLUB
	07/23 – 08/23


&#60;img width="1122" height="1452" width_o="1122" height_o="1452" data-src="https://freight.cargo.site/t/original/i/14f52955cd92f5928f1b3081e0d468aac0cb5ef40f0e8ce5065906822e058f54/pink2.jpg" data-mid="189114428" border="0"  src="https://freight.cargo.site/w/1000/i/14f52955cd92f5928f1b3081e0d468aac0cb5ef40f0e8ce5065906822e058f54/pink2.jpg" /&#62;
&#60;img width="1122" height="1452" width_o="1122" height_o="1452" data-src="https://freight.cargo.site/t/original/i/b8a0316f9cb166c78b045d454b5b14cac0a2a1d0ba38e36d2f235be8b19f17f1/popup_poster.jpg" data-mid="189114430" border="0"  src="https://freight.cargo.site/w/1000/i/b8a0316f9cb166c78b045d454b5b14cac0a2a1d0ba38e36d2f235be8b19f17f1/popup_poster.jpg" /&#62;
&#60;img width="1122" height="1452" width_o="1122" height_o="1452" data-src="https://freight.cargo.site/t/original/i/fd825f232b859abe94d7584a171301def8c0fb62ca5861ab5e7bc384d8170d6d/zcb_print2.jpg" data-mid="189117444" border="0"  src="https://freight.cargo.site/w/1000/i/fd825f232b859abe94d7584a171301def8c0fb62ca5861ab5e7bc384d8170d6d/zcb_print2.jpg" /&#62;


	OVERVIEW
	Breakfast (早 zao 餐 can) Club came to a rolling boil this summer as I spent my evenings cooking in my first apartment kitchen. 
Cooking, baking, and brewing coffee for my friends brings me immense joy, and developing a project that married these three things together developed into one of the most joyful side projects I have ever done.
The purpose of this breakfast popup project was to cook for my friends through the lens of my cultures, create a sense of community for my friends living in New Haven over the summer, and practice developing a brand identity.&#38;nbsp;


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/2d278245b700dc18324fab1d6a31c99da5da50c552ba257a52dad593caf375c8/IMG_1323.jpeg" data-mid="189115268" border="0"  src="https://freight.cargo.site/w/1000/i/2d278245b700dc18324fab1d6a31c99da5da50c552ba257a52dad593caf375c8/IMG_1323.jpeg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/482650371db93885a49625ef76f18e091ed414328758518a9cffeba2cfb11e90/IMG_5116.jpeg" data-mid="189115271" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/482650371db93885a49625ef76f18e091ed414328758518a9cffeba2cfb11e90/IMG_5116.jpeg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/479c26380ad8aa9d11f1702d68c87c61ed051941451365b249479beec2aaae91/IMG_4918.jpeg" data-mid="189115270" border="0"  src="https://freight.cargo.site/w/1000/i/479c26380ad8aa9d11f1702d68c87c61ed051941451365b249479beec2aaae91/IMG_4918.jpeg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f360d88341d01a48efcff324e89b9c8e4395a98124e1ff259c0621afbe911b87/IMG_3662.jpeg" data-mid="189115269" border="0"  src="https://freight.cargo.site/w/1000/i/f360d88341d01a48efcff324e89b9c8e4395a98124e1ff259c0621afbe911b87/IMG_3662.jpeg" /&#62;


	THE PURPOSE OF BREAKFAST
	Although most things differ between Taiwan and Texas, two places I call home, what holds true about both corners of the world is their commitment to breakfast. Growing up, I spent summers in my parents’ hometowns in Taiwan. With 60 cents in hand, I wandered to new breakfast stands every morning. My mouth still drools when I reminisce about 7-Eleven tea eggs, milk toast, and iced milk tea found at nearly every street corner in Taiwan.
 In my hometown of Dallas I explored coffee shops and diners on weekends, ranking lattes and homefries with my childhood friends. 


&#60;img width="1370" height="1312" width_o="1370" height_o="1312" data-src="https://freight.cargo.site/t/original/i/cb89ead04843014c8b5a792bbc431173799ce422c9df76d6d3e95fe3d20ad3d6/Screen-Shot-2023-08-28-at-4.09.09-PM.png" data-mid="189116952" border="0"  src="https://freight.cargo.site/w/1000/i/cb89ead04843014c8b5a792bbc431173799ce422c9df76d6d3e95fe3d20ad3d6/Screen-Shot-2023-08-28-at-4.09.09-PM.png" /&#62;
&#60;img width="2196" height="3456" width_o="2196" height_o="3456" data-src="https://freight.cargo.site/t/original/i/73e0131b3f3c52e5eae709cdf90d31c95c63e6264437e18bcc57ef4f0a50f6c5/IMG_6406.jpg" data-mid="189116949" border="0"  src="https://freight.cargo.site/w/1000/i/73e0131b3f3c52e5eae709cdf90d31c95c63e6264437e18bcc57ef4f0a50f6c5/IMG_6406.jpg" /&#62;
&#60;img width="2084" height="3402" width_o="2084" height_o="3402" data-src="https://freight.cargo.site/t/original/i/75089c4d7911740a94bda7fa2e1b14e972cad0eaa46fd3cd20cd90e56ad08761/IMG_6407.jpg" data-mid="189116950" border="0"  src="https://freight.cargo.site/w/1000/i/75089c4d7911740a94bda7fa2e1b14e972cad0eaa46fd3cd20cd90e56ad08761/IMG_6407.jpg" /&#62;
&#60;img width="2085" height="3370" width_o="2085" height_o="3370" data-src="https://freight.cargo.site/t/original/i/4cbb21d91cfdb4a6b09626d80b13d3da7f0ce02cc5d6ffb3d39dbfc10f6943c7/IMG_6408.jpg" data-mid="189116951" border="0"  src="https://freight.cargo.site/w/1000/i/4cbb21d91cfdb4a6b09626d80b13d3da7f0ce02cc5d6ffb3d39dbfc10f6943c7/IMG_6408.jpg" /&#62;
&#60;img width="450" height="642" width_o="450" height_o="642" data-src="https://freight.cargo.site/t/original/i/ff016f49dbe1a14fcafdd4c2ee6204320cac3b50370e5b7360a895939f400ca4/Screen-Shot-2023-08-28-at-4.15.12-PM.png" data-mid="189117070" border="0"  src="https://freight.cargo.site/w/450/i/ff016f49dbe1a14fcafdd4c2ee6204320cac3b50370e5b7360a895939f400ca4/Screen-Shot-2023-08-28-at-4.15.12-PM.png" /&#62;
&#60;img width="454" height="638" width_o="454" height_o="638" data-src="https://freight.cargo.site/t/original/i/70d9392b5dadf43b0ace9fdbb83ea152913b8e26bd53102fa00414599d51ab9f/Screen-Shot-2023-08-28-at-4.15.25-PM.png" data-mid="189117072" border="0"  src="https://freight.cargo.site/w/454/i/70d9392b5dadf43b0ace9fdbb83ea152913b8e26bd53102fa00414599d51ab9f/Screen-Shot-2023-08-28-at-4.15.25-PM.png" /&#62;
&#60;img width="956" height="642" width_o="956" height_o="642" data-src="https://freight.cargo.site/t/original/i/e97b6f4754955fdca089696948384f9c7bb401848d944986de8c74887ca5db92/Screen-Shot-2023-08-28-at-4.15.22-PM.png" data-mid="189117071" border="0"  src="https://freight.cargo.site/w/956/i/e97b6f4754955fdca089696948384f9c7bb401848d944986de8c74887ca5db92/Screen-Shot-2023-08-28-at-4.15.22-PM.png" /&#62;


	CHALLENGES &#38;amp; INSPIRATION
	There are many symbols that represent Taiwan, Texas, and breakfast, but not leaning on any of these, while still speaking to all three became my biggest challenge.
I looked at the websites and product branding of neighborhood coffeeshops, breakfast food brands, and recipe photos to understand why I felt certain ways when viewing and/or consuming each entity. This reflection, coupled with the development of a Taiwanese-Texan fusion breakfast menu, led me towards many different logo options.


&#60;img width="1271" height="927" width_o="1271" height_o="927" data-src="https://freight.cargo.site/t/original/i/4bf9cd545fabeaf513f2a8da9c1d0ef4243bff628f1e80d9b3672038eb717384/sitcker_sheet.jpg" data-mid="189115422" border="0"  src="https://freight.cargo.site/w/1000/i/4bf9cd545fabeaf513f2a8da9c1d0ef4243bff628f1e80d9b3672038eb717384/sitcker_sheet.jpg" /&#62;
&#60;img width="1277" height="936" width_o="1277" height_o="936" data-src="https://freight.cargo.site/t/original/i/4d77a1c7306e51462911569237f8eb6d5cb996591ca0b399e4629d2045d212d4/sticker2.jpg" data-mid="189115423" border="0"  src="https://freight.cargo.site/w/1000/i/4d77a1c7306e51462911569237f8eb6d5cb996591ca0b399e4629d2045d212d4/sticker2.jpg" /&#62;


	THE MILK CARTON
	I became fixated on the humble milk carton. The vessel of anything from Ovaltine and Trumoo, to slightly icy apple juice and crisp oolong tea, the milk carton holds all of my favorite beverages, while exuding a sense of playfulness.
The Breakfast Club milk carton has a “b” on it, where the circle is a rising sun and the straight line is a piece of colored plastic tape oftentimes found on to-go breakfast orders in Taiwan. On the top plane of the carton, lines representing the rolling mountains of Alishan intersect with the rock mounds of countryside Texas.&#38;nbsp;
For the popup, I made a logo, advertisement posters, and stickers.


&#60;img width="2048" height="2048" width_o="2048" height_o="2048" data-src="https://freight.cargo.site/t/original/i/0843249ca2a2893a72f8d5a39fde4e75e624e35e74fc5620e90083e4390fc041/orange.jpg" data-mid="189114432" border="0"  src="https://freight.cargo.site/w/1000/i/0843249ca2a2893a72f8d5a39fde4e75e624e35e74fc5620e90083e4390fc041/orange.jpg" /&#62;
&#60;img width="2048" height="2048" width_o="2048" height_o="2048" data-src="https://freight.cargo.site/t/original/i/fe9adb9b8a4d4c1250a48a3885eeeeff86c35530402f9e4b319dc7a55364d5b3/pink.jpg" data-mid="189114431" border="0"  src="https://freight.cargo.site/w/1000/i/fe9adb9b8a4d4c1250a48a3885eeeeff86c35530402f9e4b319dc7a55364d5b3/pink.jpg" /&#62;

	
	THE POPUP!
	Drawing friends from all corners of New Haven, the Breakfast Club popup was a success!&#38;nbsp;
“It smells just like my home!” said a friend when smelling fresh baked cinammon rolls, star anise, and carmelized scallions“Can I have another taco??” said many friends after their first, second, and third tacos of the morning


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/a3cc68d9961a9fc74a3612ce2154faab3a4e82fa5453f61b4aac14e3f34392b3/IMG_5941.JPG" data-mid="189116655" border="0"  src="https://freight.cargo.site/w/1000/i/a3cc68d9961a9fc74a3612ce2154faab3a4e82fa5453f61b4aac14e3f34392b3/IMG_5941.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/67dda6d44190fa0eb086eee47b7be9ad35458da6540f49c4e57935a12d7e2ea5/IMG_5943.JPG" data-mid="189116732" border="0"  src="https://freight.cargo.site/w/1000/i/67dda6d44190fa0eb086eee47b7be9ad35458da6540f49c4e57935a12d7e2ea5/IMG_5943.JPG" /&#62;


	REFLECTIONS
	With more time, or future iterations of Breakfast Club, I want to clean up the logo and advertisement posters, creating a stronger balance between hand-drawn and graphic design. I also would like to push the font in different directions. I stuck with a sans-serif font not out of intentional selection, but because I knew little about fonts.
 I look forward to hosting another Breakfast Club popup for my friends before I graduate!

Made with Photoshop, Figma, and love &#38;lt;3
</description>
		
	</item>
		
		
	<item>
		<title>Nomad</title>
				
		<link>https://klin.cargo.site/Nomad</link>

		<pubDate>Mon, 28 Aug 2023 02:05:03 +0000</pubDate>

		<dc:creator>Karen Grace Lin</dc:creator>

		<guid isPermaLink="true">https://klin.cargo.site/Nomad</guid>

		<description>


	NOMAD ESPRESSO
	06/23 – present

&#60;img width="1782" height="1206" width_o="1782" height_o="1206" data-src="https://freight.cargo.site/t/original/i/a2e9d2ed072401a7d4e08ecbcd9e0bae9c792a5b9193d983fb874be39c81cc79/frontpage.png" data-mid="189051729" border="0"  src="https://freight.cargo.site/w/1000/i/a2e9d2ed072401a7d4e08ecbcd9e0bae9c792a5b9193d983fb874be39c81cc79/frontpage.png" /&#62;


	OVERVIEW
	The Nomad is a compact, non-electric, lever operated espresso machine that began on Kickstarter in 2013. Invented and founded by Vincent Chen, the Nomad is technologically advanced, while being approachable and friendly to the amateur espresso enjoyer. Since June 2023, I have been working with Vincent and his business partner to redesign the Nomad’s website.


&#60;img width="2802" height="1434" width_o="2802" height_o="1434" data-src="https://freight.cargo.site/t/original/i/f477076684779ddd479011a69f51abac3121f4c104a91a6f381cdcb1e8d7aa90/Screen-Shot-2023-08-27-at-11.37.25-PM.png" data-mid="189051604" border="0"  src="https://freight.cargo.site/w/1000/i/f477076684779ddd479011a69f51abac3121f4c104a91a6f381cdcb1e8d7aa90/Screen-Shot-2023-08-27-at-11.37.25-PM.png" /&#62;
&#60;img width="2782" height="1354" width_o="2782" height_o="1354" data-src="https://freight.cargo.site/t/original/i/d38c375cb5e4f24d80b7a8040b51d2885f3679a269671709cee17b35944b55fd/Screen-Shot-2023-08-27-at-11.37.36-PM.png" data-mid="189051605" border="0"  src="https://freight.cargo.site/w/1000/i/d38c375cb5e4f24d80b7a8040b51d2885f3679a269671709cee17b35944b55fd/Screen-Shot-2023-08-27-at-11.37.36-PM.png" /&#62;
&#60;img width="2762" height="1446" width_o="2762" height_o="1446" data-src="https://freight.cargo.site/t/original/i/3f5d91ce8d483742c827907d7656701930b92e4ead20ad8f20e59a0b18697533/Screen-Shot-2023-08-27-at-11.37.57-PM.png" data-mid="189051607" border="0"  src="https://freight.cargo.site/w/1000/i/3f5d91ce8d483742c827907d7656701930b92e4ead20ad8f20e59a0b18697533/Screen-Shot-2023-08-27-at-11.37.57-PM.png" /&#62;
&#60;img width="2710" height="1412" width_o="2710" height_o="1412" data-src="https://freight.cargo.site/t/original/i/37242d2e8abcbc545f5ccefac6597c2f98b5614ca67f7ad52e9b0638f747dfb1/Screen-Shot-2023-08-27-at-11.37.44-PM.png" data-mid="189051606" border="0"  src="https://freight.cargo.site/w/1000/i/37242d2e8abcbc545f5ccefac6597c2f98b5614ca67f7ad52e9b0638f747dfb1/Screen-Shot-2023-08-27-at-11.37.44-PM.png" /&#62;


CURRENT EXPERIENCE / EXISTING PRODUCT AND ISSUES
	When talking to Vincent, his initial thought process for the website was to convey the popularity of the product, as well as its unique functions through text. The current website (seen above) favors blocks of information to advertise the Nomad. 

When asked about a redesign of his product’s website, Vincent responded with “clean and minimalist.”

As a customer and frequent user of the Nomad, I identified the product as a machine with a unique design and playful mode of creating espresso (you use a mini-seesaw to pump pressure and pull a shot of espresso). When placed in a kitchen, it stands out not only as an appliance, but also as a design piece.&#38;nbsp;

I wanted to reorganize the website’s information and image presentation to highlight an impressive yet easy to use product. Yet, the website was disorganized, held discrepancies in text, grammar, and photo quality, and favored blocks of text over images and videos. For every critique I had for the website, I described a potential solution before moving forward to mockups, which can be found here.


&#60;img width="3113" height="2215" width_o="3113" height_o="2215" data-src="https://freight.cargo.site/t/original/i/a24d888a037f142e24e97a46428a5b3965afdc9eed2dc39b5b8f5a8fc8335025/Group-3.png" data-mid="189051714" border="0"  src="https://freight.cargo.site/w/1000/i/a24d888a037f142e24e97a46428a5b3965afdc9eed2dc39b5b8f5a8fc8335025/Group-3.png" /&#62;


	COMPETITIVE ANALYSIS
	I analyzed the websites of coffee shops, coffee roasters, and coffee supply companies to gain a better understanding of how they advertize their products. Some key players include Hario, Nguyen Coffee Supply Co., La Marzocco, and Stumptown.

I focused on how both startups and national companies effectively communicated the specifications of their complex products to prospective customers. I asked questions like 1) What catches my eye on the home page of a product? 2) How are these companies catering towards a specific audience 3) How quickly could I understand the navigations of a website?

I found 1) an emphasis of high quality photos and videos on every website, 2) an abstraction of information to allow interested customers to dive deeper into the technical specs of a product, without overwhelming prospective buyers from the start, and 3) a clean navigation bar and clear phrasing that defined each page.

The Nomad website lacked these three crucial elements, which I sought to fix in my redesign.


ITERATIONS / EXPERIMENTATION
	

&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/f9b39b5ac4948b89cf2a39869ed2499d21b9e72c565c1ac0cedc9741b841138f/DSC_0675.jpg" data-mid="193223253" border="0"  src="https://freight.cargo.site/w/1000/i/f9b39b5ac4948b89cf2a39869ed2499d21b9e72c565c1ac0cedc9741b841138f/DSC_0675.jpg" /&#62;
&#60;img width="305" height="432" width_o="305" height_o="432" data-src="https://freight.cargo.site/t/original/i/270c88c4a69178cf28bcabc9c24ec4dfd8b14aa146eb8dde7a9616a117fb65ee/Screenshot-2023-10-10-at-12.28.12-AM.png" data-mid="193223255" border="0"  src="https://freight.cargo.site/w/305/i/270c88c4a69178cf28bcabc9c24ec4dfd8b14aa146eb8dde7a9616a117fb65ee/Screenshot-2023-10-10-at-12.28.12-AM.png" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/952d9617ddeda8fe9a1dcc49d3f14a086f281bc1a435d75f7d82faabfa8689a3/DSC_0700.jpg" data-mid="193223254" border="0"  src="https://freight.cargo.site/w/1000/i/952d9617ddeda8fe9a1dcc49d3f14a086f281bc1a435d75f7d82faabfa8689a3/DSC_0700.jpg" /&#62;
&#60;img width="303" height="448" width_o="303" height_o="448" data-src="https://freight.cargo.site/t/original/i/cb14e2dff02278fc105d645215ad8e3f829114d8524bed4dc048005202818804/Screenshot-2023-10-10-at-12.28.06-AM.png" data-mid="193223256" border="0"  src="https://freight.cargo.site/w/303/i/cb14e2dff02278fc105d645215ad8e3f829114d8524bed4dc048005202818804/Screenshot-2023-10-10-at-12.28.06-AM.png" /&#62;

I thought about the Nomad and its geometry. What makes the Nomad unique in physical design? How does its volumes make it feel playful? I looked into incorporating the Nomad’s shapes throughout the website.

I then considered the Nomad and its relationship with the consumer. How does the Nomad encourage a first-time user to navigate its physical shape? What are the mechanical elements I should highlight throughout the website?

To address the lack of high quality photos and videos on the website, I photographed a Nomad myself in consistent lighting to serve as an example of how consistent lighting and angles can pull together a product across its own website.

I not only edited the copy throughout the website to decrease repetition, but I also reorganized the presentation of information on the website. This allows customers to get a clear, high level idea of the product before having the option of diving deeper to learn more about the mechanics.For each page, I asked myself: what is the critical information that must be added? Are there copy edits to what was on the original website? What is the tone of this page? How can this page be more user friendly? Do all photos and videos convey some fact about the product?


I also adjusted the navigation tools on the website to more clearly indicate the pages it represent.


	CURRENT MOCKUP
	In addition to directly responding to the website’s existing issues, I wanted to emphasize the playful and user-friendly nature of the product as a way to loop in amateur and professional coffee makers alike. 

I experimented with gifs to emphasize the product’s functions, photographed a new suite of product images to create a consistent presentation of the Nomad, and reorganized the product’s information across the website.

I also focused on shaving down blocks of text throughout the website, keeping only essential information while retaining the passionate voice of my uncle.

I am still working with Vincent and his business partner to improve their website.&#38;nbsp;

You can find a recording of the UI mockup (with all connected components and animations) here.

Created with Figma, Photoshop.

[Last updated: August 2023]


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	<item>
		<title>Overview</title>
				
		<link>https://klin.cargo.site/Overview</link>

		<pubDate>Mon, 28 Aug 2023 02:05:05 +0000</pubDate>

		<dc:creator>Karen Grace Lin</dc:creator>

		<guid isPermaLink="true">https://klin.cargo.site/Overview</guid>

		<description>

	&#60;img width="2720" height="1504" width_o="2720" height_o="1504" data-src="https://freight.cargo.site/t/original/i/133fa218cccadc80cdec7c82854857fa8fcfb99124d811f173c97da7fbc591e8/Screenshot-2024-09-18-at-3.25.10-PM.png" data-mid="218298859" border="0"  src="https://freight.cargo.site/w/1000/i/133fa218cccadc80cdec7c82854857fa8fcfb99124d811f173c97da7fbc591e8/Screenshot-2024-09-18-at-3.25.10-PM.png" /&#62;


01DIGITAL.GOV JOB BOARD
A federal tech job board for Digital.gov, developed through the Coding it Forward fellowship.


	06/24 – 08/24


	&#60;img width="2638" height="1508" width_o="2638" height_o="1508" data-src="https://freight.cargo.site/t/original/i/1e45840661d40981f5a8d0439e5e7db60b994d9edc10a11ed013f6ef31900265/Screenshot-2024-09-18-at-3.18.49-PM.png" data-mid="218298746" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1e45840661d40981f5a8d0439e5e7db60b994d9edc10a11ed013f6ef31900265/Screenshot-2024-09-18-at-3.18.49-PM.png" /&#62;


02HERE/THERE
A website for one.

	03/24 – 05/24


	&#60;img width="2468" height="1502" width_o="2468" height_o="1502" data-src="https://freight.cargo.site/t/original/i/3b3b8acb3bcb5a3c2d2f75eed21a09fcfa58865dd77e415af8cbe3924dcd6609/Screenshot-2024-09-18-at-4.07.25-PM.png" data-mid="218300541" border="0"  src="https://freight.cargo.site/w/1000/i/3b3b8acb3bcb5a3c2d2f75eed21a09fcfa58865dd77e415af8cbe3924dcd6609/Screenshot-2024-09-18-at-4.07.25-PM.png" /&#62;


03A VEGETARIAN'S GUIDE TO MEAT
A web zine for the veggie conscious.

	01/24 – 03/24


	&#60;img width="394" height="296" width_o="394" height_o="296" data-src="https://freight.cargo.site/t/original/i/ab85a2b2c4721a38ff71cbc0a9ed732f1d884bdc8d33c118fd9d3c7ad0613c3f/Dragon2520in2520Training2520Final.gif" data-mid="201271109" border="0"  src="https://freight.cargo.site/w/394/i/ab85a2b2c4721a38ff71cbc0a9ed732f1d884bdc8d33c118fd9d3c7ad0613c3f/Dragon2520in2520Training2520Final.gif" /&#62;


04DISTRIBUTED RAY TRACER
A C++ districuted ray tracer.

	11/23 – 12/23


&#60;img width="1782" height="1206" width_o="1782" height_o="1206" data-src="https://freight.cargo.site/t/original/i/52df4b99ce8a34a969dd768326599e62823070c18382d0dce4eb6a8de1d1a05f/frontpage.png" data-mid="189052137" border="0"  src="https://freight.cargo.site/w/1000/i/52df4b99ce8a34a969dd768326599e62823070c18382d0dce4eb6a8de1d1a05f/frontpage.png" /&#62;

	
05NOMAD ESPRESSO
UI mockup reimagining Uniterra’s Nomad Espresso Machine website.&#38;nbsp;

	06/23 – 06/24


&#60;img width="836" height="936" width_o="836" height_o="936" data-src="https://freight.cargo.site/t/original/i/c7a96e1aecf51067ddaabf69426435130e14ace2749a40f5e22ebf2e93b745b5/sticker2-1.png" data-mid="218298690" border="0"  src="https://freight.cargo.site/w/836/i/c7a96e1aecf51067ddaabf69426435130e14ace2749a40f5e22ebf2e93b745b5/sticker2-1.png" /&#62;

	
06BREAKFAST CLUB
A Taiwanese-Texan breakfast popup celebrating community, cooking as a love language, and the most important meal of the day.

	07/23 – 08/23


&#60;img width="2125" height="3000" width_o="2125" height_o="3000" data-src="https://freight.cargo.site/t/original/i/9d4d540d7c3599055a50a1a67966010535d309e587ec8af93c94dc23df2a77d2/day_postcard_01.jpg" data-mid="189120989" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/9d4d540d7c3599055a50a1a67966010535d309e587ec8af93c94dc23df2a77d2/day_postcard_01.jpg" /&#62;

	
07POSTCARDS
Past adventures, caught on film and shared through handmade postcards.

	06/22 – present


&#60;img width="2592" height="2016" width_o="2592" height_o="2016" data-src="https://freight.cargo.site/t/original/i/bab4f5c07133351ac6f40e61f75e4b882ef955a4135bc95793d35aae1aae5707/there-but-not-there.jpg" data-mid="189052196" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/bab4f5c07133351ac6f40e61f75e4b882ef955a4135bc95793d35aae1aae5707/there-but-not-there.jpg" /&#62;

	
08THERE, BUT NOT THERE

Large-form poster exploring the indirect ways our surroundings express beauty.

	03/23 – 05/23&#38;nbsp;


&#60;img width="612" height="792" width_o="612" height_o="792" data-src="https://freight.cargo.site/t/original/i/50c6548b111b8de5497edb2212b426257e2fe88d6c3465cace152a4c58b79c3a/Helvetica_03.jpeg" data-mid="191040213" border="0" data-scale="100" src="https://freight.cargo.site/w/612/i/50c6548b111b8de5497edb2212b426257e2fe88d6c3465cace152a4c58b79c3a/Helvetica_03.jpeg" /&#62;

	
09 POSTERS&#38;nbsp;

Posters from Introduction to Graphic Design with Yeju Choi

	03/23 – 05/23


&#60;img width="2440" height="1362" width_o="2440" height_o="1362" data-src="https://freight.cargo.site/t/original/i/06f8f65d674bc352088af22deaca531a654496e368ee929c34090016673cf23d/Screen-Shot-2023-08-28-at-4.40.31-PM.png" data-mid="189119257" border="0"  src="https://freight.cargo.site/w/1000/i/06f8f65d674bc352088af22deaca531a654496e368ee929c34090016673cf23d/Screen-Shot-2023-08-28-at-4.40.31-PM.png" /&#62;

	10MODELING THE MITHRAEUM
An educational tool and research database for Yale University’s holdings of the city Dura Europos.

	03/22 – 05/22


&#60;img width="4000" height="2250" width_o="4000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/d99a160fb4f1e990811734841ac333785a626ef6d9317a6f591754160872e477/fragilecover.jpg" data-mid="189120460" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d99a160fb4f1e990811734841ac333785a626ef6d9317a6f591754160872e477/fragilecover.jpg" /&#62;

	11FRAGILE HANDLE WITH CARE

A synthesis project on intimate ephemera.

	03/21 – 05/21


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